Friday, August 2, 2013

Fado - An Unforgettable Night In Galicia, Spain

Back to my recent trip to Galicia, Spain:


One evening in particular stands out. It was the 24th of June, the night that the moon was so much closer than usual to earth, a good setting for the music I heard that night, a music that pulled emotions closer to the surface of one's heart -- that haunting genre of singing born in Portugal, Fado.


I sat with friends, David and Terry and Marta at the Rectoral de Castillon, a lovely casa rural near Goian and Ferreira that offers fine meals in its unique restaurant as well as lodgings for travelers. My husband and I have eaten there several times with Terri and David. This night, Rajan was home in California, taking care of our ailing dog. Terri and David picked me up, and Marta joined us, for a dinner celebrating Rectoral de Castillon's tenth year in operation. (More information about Rectoral de Castillon can be found below.) But here is a picture of how the tables are set up inside: 



A delicious meal served inside was followed by an evening of song outside.

Space heaters warmed the courtyard where after dinner tables had been set up. The walkway above the stairs to the courtyard had become a stage with lights and amplifiers and a microphone. Two men sat on either side, one with a guitar, the other with a mandolin. Night had fallen (dinners are late in Spain). The stage was bright. The audience was expectant. The fadista, María do Ceo -- a petite woman with doe eyes and a demure smile -- quietly walked to the microphone. She wore a long black gown. A simple black shawl draped over her shoulders. She paused. The audience quieted. She began to sing. 

This was the first time I heard fado, although a writer friend of mine has talked enthusiastically about it for years. I had thought it merely the “popular” music of another country, much like the popular music that dominates our top ten and top forty charts in America. Nice. Cool. Etc. But this was so much more: The pathos in the voice, the phrasing, the nuances, the melody line—they all reach out and transport a listener to another time and place.

Fado is about fate, destiny, about how things can go wrong and what one is left with. Fado is a particular genre of Portugese song that dates back in record to the 1800s, but even earlier by word of mouth. Its roots are in cities, most notably Porto, Lisbon, and Coimbra. It became popular originally among the poor and unfortunate, was sung on the streets and in taverns. There are hints of a Moorish influence. (Portugal has always been a crossroads of cultures.) The music is characteristically sad, nostalgic, full of longing, recalling star-crossed dreams, lost loves, bitter-sweet memories. Its deepest roots reach into the human heart. The lyrics have evolved in modern times into a complex structure as well. Today's Fado is as soulful as the blues, as poetic as a sonnet. It's a genre like no other.




Originally from Porto, Portugal, María do Ceo is very popular in Galicia. (When I mention to my neighbors, Eva and Monolo, that I had heard a wonderful Fado singer, they immediately said, in unison, “¡Maria do Ceo!”) She is also famous throughout Europe and South America. Her voice is particularly expressive, and even though I couldn’t understand a word of Portuguese, I was deeply moved during every song. In the chill air, under a star-glittered sky, her voice told story after story. 
Here are two examples of her performances on You Tube:
Lela  and  Negra sombra  

                                                                                                                                                               You can also visit her bandpage on Facebook and listen to three more songs to get an idea of the full range of her artistry. The disc shown on this page is the disc I bought and brought home for my husband to hear, and he is now a fan.  


Visit, too, Rectoral de Castillon, which hosted this wonderful event:
The hosts are charming, the atmosphere is elegant, the prices are reasonable, and the food is delicious.
 


You can contact them and like them at Facebook

You can also learn more about their lodging accommodations on Trip Advisor

And you can learn more about Fado here and HERE.

What about you? Do you have a favorite musical form that touches you like no other? If you listened to the above songs, did one move you more than the others? If so, which one?


Sunday, July 14, 2013

Mira's Diary - A Satifying Way to Travel

I had planned to post more about the Spain trip (which I will in due course), but when I arrived home close to midnight nearly two weeks ago, I came down with a summer cold that my husband caught a few days later. The upside of being sick with a cold is that you are sick enough to hold off on work, but not too sick to read! So I read indeed, and with great pleasure. One of these pleasures was Mira's Diary -- Home Sweet Rome.

                                       
Mira's Diary is the charming time travel mystery series by Marissa Moss.
I came across Book I, Lost In Paris, last year and wrote a review of it for Sacramento/San Francisco Book Review. You can read the review of Lost in Paris HERE.

The Paris adventure left me waiting for Mira's next one, and Home Sweet Rome does not disappoint.

The over-all frame is this: Mira's mother, a time traveler, is somewhere in the past, trying to avert something terrible happening in the future. She shifts around to various historical eras -- and she can't tell the family all the details, but she leaves postcards as clues as to her next destination. Mira's father -- who knows his wife time travels -- is a renowned photographer on a fellowship to photograph modern wonders of the world. This gives the family the excuse they need to go to the cities mentioned in the postcards. As it turns out, Mira is a time traveler, too, and her mother needs her help in piecing together the various cases that all seem part of the larger mystery.

This time, Mira lands in 16th century Rome during the Inquisition, when the Church is persecuting independent scientific thinkers. Dressed as a boy named Marco, she first works in the kitchen of the Del Monte palazzo. Another servant named Giovanni befriends her and introduces her to his master, none other than the painter Caravaggio. Caravaggio arranges for her to meet Del Monte in person and Mira -- as Marco-- is soon put to work as a scribe, copying letters and reports and cataloguing books for the Cardinal del Monte. Soon she finds her work is connected to the heretical ideas (in those days) of Giordano Bruno, a mathemetician and scientist. (I will not be a spoiler and reveal how these are linked.)

The story is fast paced, the settings wonderfully realized, pulling a reader into a personal experience of ancient architecture and well-known paintings. This is like a free trip to 16th century Rome—a tour of famous buildings, without a tedious tour guide. One of the delights of a series like this is that you can learn about history in ways that aren't a bit dull. Young people will like this book for the adventure, and it's a great introduction to some of the science we take for granted today.

Meanwhile . . . there are the Watchers. The Watchers are a group of "time police" who punish anyone trying to tamper with history. They are trying to hunt down Mira's mother -- and Mira, too, whenever she shows up out of her own time. Mira manages to complete her part of the mission involving Bruno; but her mother hasn't returned to the present, and the overriding mystery remains with an aura of worry for Mira's family. Mira's father believes Mother's ultimate mission involves something in the future that threatens them as a family.

One can only wait for Book Three to get a closer look at what that threat may be, and to enjoy another free trip to a historical locale.

Author, Marissa Moss

Contact information:

Marissa Moss's Website

Facebook

Author Page on Amazon





How about you? Do you like time travel stories? Historical novels? Mysteries? Stories involving art? What are some of your favorite reads? Why?

Monday, June 24, 2013

Three weeks and a day in Galicia


Beautiful Galicia
I certainly expected to be posting about this trip long before now: I arrived Sunday, June 9th, and I'll be leaving Galicia exactly a week from today (a day earlier from Trasulfe, as the plane leaves early in the morning, and I have no desire for a trip in the middle of the night to arrive at the Santiago airport in time for the flight).

There's a reason I haven't found time to blog. My husband stayed home on this trip (as I did in April) to take care of our old and ailing dog. Because I'm alone, I was busy opening the house (and this Sunday will be busy closing it). Because I'm alone, all our friends have been inviting me places. Because I'm alone, I was busy shopping and cooking for company. Because I'm alone, I've been the one driving everywhere, and managed to get lost twice, ending up in towns I didn't truly plan to visit at the time.


But, it's all been a grand experience. And, since I am alone, roadside walks take on a special significance. So I thought I'd share with you the wild flowers I've been talking about on Facebook, where I've been sharing short snippets of the trip. (Do come and visit me there:   on my timeline, and also on my author page  )

One day I walked down the winding road to the carretera snapping pictures of all the wildflowers I saw. They are abundant this time of the year (we usually come in spring or fall); some of them are familiar, some of them I've only read about but was able to look up, and some of them are still mystery plants that maybe you can help identify for me. Here they are:
Wild foxglove, and all in
this lovely color. All along
roadsides. 
Small white daisies -- and
a mysterious purple flower
I've never seen. Have you?
Wild broom everywhere;
really a bush more than a
flower, filling the landscape.


I thought these were
dandelions, but a closer
look makes me think not.
Maybe yellow daisies?
Purple thistles -- but so small!


Queen Anne's lace. 


I also have seen lots of yellow buttercups, pink and white primroses, and blue forget-me-nots with tiny yellow centers, but I haven't taken any pictures of them. 

Of course, ferns aren't flowers,
but these are abundant on
roadsides and in fields.
This wild elderberry bush
is growing just a few feet
away from our house. 

But what is this mystery flower?
Maybe the sheep could tell us if they weren't so busy having their mid-day meal:

If YOU know what that flower is, let me know.

Hasta luego.


Wednesday, June 5, 2013

The June Art Show and Reception at Art Ellis




Families looking in the window
As promised, I am bringing my after school Art Club's June Art Exhibit to you by way of this post. Saturday, June 1st was the reception, and the exhibit showcases work by students, ages 8 to 12. For those of you who live in the Sacramento area, the art will be on display at Art Ellis for the whole month of June. Art Ellis is an art supplies store at 2508 J Street in Sacramento's bustling Midtown. It's owned by Sharon and Jim Tanovitz who have kindly supported our art exhibits for many years.

Enjoy the 15 pieces of art, and, since art is subjective, I'll be interested to know which pieces caught your fancy and why. After the 15 art pieces, I have pictures of the reception. A happy time for all.


Julia Benson, Age 12
"Mother Nature's Toddler"
Watercolor
Daniella Bishop, Age 9
"Flowers in Abstract"
Watercolor


Ayla Adjari, Age 9
"Red Riding Hood"
Acrylic on Canvas















Ethan Bland, Age 9
"Kitchen Flowers"
Oil Pastel

Kaitlyn Bland, Age 11
"A Resting Cheetah"
Acrylic on Canvas

Erica Cruz, Age 10
"Still Life"
Oil Pastel















Hannah Cunningham, Age 10
"Butterfly on the Branch"
Watercolor

Ella Diltz, Age 8
"Music"
Oil Pastel

Maya Diltz, Age 11
"Pretty Lady"
Oil Pastel
















Jamin Dunlap, Age 8
"Boys Rock"
Charcoal

Neviah Dunlap, Age 10,
"Bluebird and Poppies"
Watercolor

Bethany Huff, Age 12
"The Woodpecker"
Soft Pastel














Miranda La Torre, Age 8
"A Christmas Present"
Watercolor

Trisha Nagin, Age 9
"Sunset"
Acrylic on Canvas

Justice Olivier, Age 10
"Village Girl"
Oil Pastel




















Ethan and Kaitlyn Bland; Grandmother,
Father, & Mother

Julia Benson, back row, to your right
Father, Mother, in back row; cousin,
sister in front row

Erica Cruz, Center with red blouse,
Father, Uncle, Grandmother, Mother;
Cousins in front row
Hannah Cunningham
and  Mother
Here are some of the families who were able to come to the reception.

They enjoyed punch and cookies, as well as browsing around inside the store and buying some art supplies.







Ella and Maya Diltz and Mother
(Sharon Tanovitz in window,
marking a piece of art "Sold")

Bethany Huff and Mother

Justice Oliver, Mother and Sister

Trisha Nagin and Father

Miranda LaTorre, Grandmother,
Mother, and Father

Neviah and Jamin Dunlap,
Father,  Younger Sisters












And that's it for this year. Hope you enjoyed this little art show.