|The main entrance of|
Braga is a city of churches, given its long history as the the religious capital of Portugal. But you see the interweaving of Roman and Baroque in many of the churches, and also many of the mansions and museums. One example is the old Archbishop's Palace, where the Jardim de Santa Barbara (Santa Barbara Garden) is nestled in a back square of the former palace.
|You can see how the word "Palace"|
Back to the churches: You could call Braga a city of churches. As the religious capital of Portugal, there are over thirty-to-thirty-five churches, in addition to the Sé Cathedral, and all quite distinctive. There is Igreja dos Congregados on the one side of Avenida Central bordering Praça República (Republican Square (two views below).
|Seen from the Arcada, which fronts|
one end of Republican Square.
|Seen from across the triangular park|
that starts at the Arcade and ends in
Largo Senhora Branca.
There were other churches of note: Bon Jesus, four miles out of town, up in the hills, which we did see last fall while attending a photography exhibit. (Our pictures were mainly of the exhibit, but here is a plaque on one wall.) A small, baroque church on a street behind the Arcade, Igreja da Terceira Ordem Regular de São Francisco (Church of the Third Regular Order of Saint Francis). And inside the arcade is a small church, Igreja Paroquial de Nossa Senhora da Lapa (Our Lady of Lapa).
|If you look closely, you'll|
see more beautiful Azulejos.
Then there were the museums. I'll concentrate on two that captured our attention. On our first trip, we went to the Museu da Imagem - The Image Museum, that specializes in photography exhibits. I had read of this museum in a travel article posted in the Huffington Post and was particularly interested, because my husband does black-and-white photography. Online, we made friends with the director, Rui Prata, and when we visited, we got acquainted with him and this beautiful museum. It's partly housed in an old tower of the original castle and an adjoining building that looks out on the street. Inside are current exhibits and historical photographs of Braga, and Rui Prata was generous with his time, telling us much about the history of Braga. He himself is a photographer, a curator of exhibits, and has recently retired from director of the museum to move to Finland from where he still curates exhibits all over Europe.
|Museum entrance - the red building.|
|Street view from inside the door.|
|My husband debating what|
to look at first. You can see
the complexity of the layout.
|Just one of the sections of photos.|
|This particular exhibit was |
about the 1974
|Later Rui treated us to dinner|
and introduced us to some fine
We'd often heard about the Museu dos Biscainhos, a historical mansion, originally built in the early 17th century by a noble family. Inside its many rooms are collections of 17th and 18th century European and Asian furniture, ceramics, porcelain, glass, paintings, etc. The baroque palace or manor had its own chapel, servant quarters, carriage house. But it was the 18th century baroque garden with statues, fountains, pathways between hedges and flower beds, and trees that blew me away, and I focus my pictures on its beauty. 9One tree is a giant tulip poplar, sent from Virginia to the nobleman's family 2 centuries ago.)
A 200-year-old tulip poplar and me.
Did I mention it was huge?
Moments like this give you a sense of your size in the scheme of things.
Last, but not lease, I'd like to mention our good fortune to meet Inȇs Barbosa on our first and subsequent visits. Inȇs is getting her Masters at University of Minho and was interning at the hotel where we stay (Hotel Senhora a Branca) until just recently, when she went to work for Lufthansa in Porto. She patiently answered innumerable questions about Braga, about Portugal, about Fado, etc. On our last visit she told us about some of the Folklorico groups in Braga. The group she belongs to were to perform in Santiago de Compostela, Galicia, the day after we left Braga.
|In Folklorico costume.|
How about you? Do you belong to a heritage or historical interest group of some kind? Do you love historical buildings and gardens?