It's been awhile since I blogged for several reasons: A new bout of seasonal viruses, a mini-family reunion, art class and art club. Around all that I had to decide: Post a new blog? Or work on my novel? The novel won out, and I am happy to say I am moving along on Chapter 12 of the re-write.
I did a lot of reading the past ten days as well, because the more I write, the more I realise how important it is to read. One especially good read was the Quantock Quartet, Sisters of the Quantock Hills, a historical series of YA or juvenile novels (depending on which sister's story you are reading) set in England. The time frame is 1910 to 1920 for the first two books (Sarah's Story and Francis's Story). The third book, Julia's Story, takes a reader up to 1930. And the last, Gwen's Story, takes one up to pre-WWII.
At one point my husband asked, "Is there any point to reading the same story four times?" But that was the beauty of it: As in real life, even though the four sisters all had common experiences, the experiences meant different things to each sister, and each sister also had her own separate encounters and issues. I was surprised at how engrossed I became in each new book (although Gwen's Storywas perhaps the least interesting until about the last third of the book).
I checked these books out from the library primarily because my own book takes place in the last of the 1910's decade, when war and influenza were issues in Sacramento as well as in England. Partly I wanted to see how the author handled clothing of the era. But I liked seeing how she handled the family relationships. I found the leisurely pace engrossing; I suppose family stories to ring true, call for that. (As opposed, say, to mysteries or action novels.) The writing took its time.
I also liked how each character got her own book. What wasn't dealt with in one book was picked up in another. It was probably overly ambitious to devote four books to the same family cluster, but it worked quiet well for the first three.
In re-writes, a writer has to do a lot of cutting. That old saw, "Kill your darlings" (attributed to about every famous American author you can think of) is quite true. I've had to kill a lot of darlings in my current re-write. Already the book is better for it. But my pruning meant inviting a lot of characters to leave -- relatives of the main characters -- since they were beginning to hijack my story. I was really sorry to send them packing. But, after reading the Quantock Quartet, I'm reminded that they can always get a book of their own after I finish this one. (I never throw anything away. The cousins are alive and well in files of the earlier drafts, hopefully sorting things out among themselves to get a second chance.)
Meanwhile, I really missed blogging. It's good to be back.
Friday, December 18, 2009
Saturday, December 5, 2009
The Holiday Mixer
Another busy week, but one of the highlights was the SCBW&I Holiday Mixer at MAIYA Art Gallery on J Street. What a perfect place for writers and illustrators to meet: When my husband and I moved to Sacramento over 20 years ago, there were only a few art galleries. Now there is a burgeoning of galleries all through Midtown, and MAIYA, relatively new, is a great enhancement to the expanding art community.
It was a lovely gathering Wednesday evening. Members' art was on display, as well as work by Midtown artists. Tables were set up with snacks and wine. I met writers and illustrators like Linda Joy Singleton, author of the Strange Encounter series and the Seer series, who also presented at the May regional conference this year; author/illustrator Rachel Dillon, who wrote and illustrated the remarkable poetry/picture book, Through Endangered Lives; author Connie Epstein, who has published a series of health books for secondary schools and libraries (and is working on three novels! ) and regularly writes articles and market updates for the SCBW&I Bulletin; Erin Dealey and Patricia Newman, co-regional advisors for the California North/Central region; and Genny Heikka, assistant regional advisor, who also reviews children's books for Sacramento Book Review.
I go periodically to the regional conferences and I always get so much out of them. This gathering was smaller and more intimate, and consequently I was able to get to know people a little better than when I get lost in the hubbub of the larger conferences. I'll certainly keep attending the larger conferences, because they are so rich in their own way, and I'm even planning to go to the even bigger L.A. summer conference in 2010. But I hope more "mixers" like Wednesday's are planned for the future.
If so, I'll be there!
It was a lovely gathering Wednesday evening. Members' art was on display, as well as work by Midtown artists. Tables were set up with snacks and wine. I met writers and illustrators like Linda Joy Singleton, author of the Strange Encounter series and the Seer series, who also presented at the May regional conference this year; author/illustrator Rachel Dillon, who wrote and illustrated the remarkable poetry/picture book, Through Endangered Lives; author Connie Epstein, who has published a series of health books for secondary schools and libraries (and is working on three novels! ) and regularly writes articles and market updates for the SCBW&I Bulletin; Erin Dealey and Patricia Newman, co-regional advisors for the California North/Central region; and Genny Heikka, assistant regional advisor, who also reviews children's books for Sacramento Book Review.
I go periodically to the regional conferences and I always get so much out of them. This gathering was smaller and more intimate, and consequently I was able to get to know people a little better than when I get lost in the hubbub of the larger conferences. I'll certainly keep attending the larger conferences, because they are so rich in their own way, and I'm even planning to go to the even bigger L.A. summer conference in 2010. But I hope more "mixers" like Wednesday's are planned for the future.
If so, I'll be there!
Thursday, December 3, 2009
Guest Blogger, K. Michael Crawford
K. Michael Crawford is the writer and illustrator of the unique The Mystery of Journeys Crowne, a book full of riddles and clues, part picture storybook, part game and treasure hunt, calling on a young reader’s own drawings to solve the mystery. The adventure is fun, the riddles intriguing, and the illustrations are a visual treat.
Here is K. Michael Crawford to tell you all about his book and about his writing and artistic process.
"Around three years ago, I decided I wanted to create a first-of-its-kind book. I had no idea at the time what the book should be, but I knew it had to get kids to use their imaginations and teach them how to figure things out on their own. After I let the idea brew in my head for a few months, it hit me: I would create a book with everything that I liked; mysteries, magic, creativity, drawing, adventures and silliness. I am just a big kid at heart. After that, the book took shape and everything fell into place. It was very magical.
"It took me six months to layout all the drawings and another six months to create and write the clues. The clues were a huge undertaking, because I had to write them so they would work together and get the reader to the end of the book. Some clues had to help you solve other clues and make sense to the story. I knew I need a character for the background story, so I created Bazel Lark to help me with writing the clues and to complete the story, explaining why the reader was getting the adventure to solve in the first place.
"Once I had the spreads laid out and the clues written, then I started the paintings. I use a number of mediums in one painting so that I can achieve the effects I want for the finished painting. These paintings have Dr. Martin's Radiant Watercolor, Colored Pencils, Acrylics and Pastels. I still haven't figured out how to throw in the Kitchen Sink.
"From start to finish it took me two years to complete CThe Mystery of Journeys Crowne. It was a wonderful and challenging journey that I am repeating with the next book in Bazel Lark series called The Island of Zadu. Even though I kept a record of how I did The Mystery of Journeys Crowne, in order to keep the books consistent with each other, I soon realized each book in the series (there will be 5) has to have a life of it's own. Now I'm facing the challenge of getting everything to work in this new book as well as in The Mystery of Journeys Crowne."
You can visit Michael at his website, http://www.happilyeverart.com/ and see some of his other titles. The Mystery of Journeys Crowne can be purchased at www.happilyeverart.com/BazelLark.html .
Here is K. Michael Crawford to tell you all about his book and about his writing and artistic process.
"Around three years ago, I decided I wanted to create a first-of-its-kind book. I had no idea at the time what the book should be, but I knew it had to get kids to use their imaginations and teach them how to figure things out on their own. After I let the idea brew in my head for a few months, it hit me: I would create a book with everything that I liked; mysteries, magic, creativity, drawing, adventures and silliness. I am just a big kid at heart. After that, the book took shape and everything fell into place. It was very magical.
"It took me six months to layout all the drawings and another six months to create and write the clues. The clues were a huge undertaking, because I had to write them so they would work together and get the reader to the end of the book. Some clues had to help you solve other clues and make sense to the story. I knew I need a character for the background story, so I created Bazel Lark to help me with writing the clues and to complete the story, explaining why the reader was getting the adventure to solve in the first place.
"Once I had the spreads laid out and the clues written, then I started the paintings. I use a number of mediums in one painting so that I can achieve the effects I want for the finished painting. These paintings have Dr. Martin's Radiant Watercolor, Colored Pencils, Acrylics and Pastels. I still haven't figured out how to throw in the Kitchen Sink.
"From start to finish it took me two years to complete CThe Mystery of Journeys Crowne. It was a wonderful and challenging journey that I am repeating with the next book in Bazel Lark series called The Island of Zadu. Even though I kept a record of how I did The Mystery of Journeys Crowne, in order to keep the books consistent with each other, I soon realized each book in the series (there will be 5) has to have a life of it's own. Now I'm facing the challenge of getting everything to work in this new book as well as in The Mystery of Journeys Crowne."
You can visit Michael at his website, http://www.happilyeverart.com/ and see some of his other titles. The Mystery of Journeys Crowne can be purchased at www.happilyeverart.com/BazelLark.html .
Tuesday, December 1, 2009
The Lightning Thief, By Rick Riordan
Last week I read Rick Riordan's The Lightning Thief, a fast-paced fantasy that combines ancient Greek history with contemporary situations in a mix of suspense and humor that made the book hard to put down. So, here is my review:
Gods and goddesses of ancient Greece have long been discounted as myth, right? In The Lightning Thief, these “immortals” still live, and their half-mortal offspring walk among us, pursued by monsters.
Percy Jackson is in trouble again at his new boarding school. He’s dyslexic and he suffers from ADHD, and he assumes that’s why he has the kinds of mess-ups that get him regularly expelled from schools. What Percy doesn’t realize is that he is one of the demi-gods. Monsters find him; after a narrow escape, still unaware of his identity, Percy heads home to his mother. New developments cause her to take him to Camp Half-Blood, a safe haven for demi-gods.
At Camp Half-Blood, Percy discovers his heritage, but soon finds he is the main suspect in the theft of Zeus’s lightning bolt. He has less than two weeks to track down the real thief and to prevent a war between the gods that will rival the Trojan War. Percy is also desperate to free his mother, who is being held hostage by Hades.
Percy’s friends, a demi-goddess named Annabeth, and a satyr named Grover, accompany him on his mission. One mystery leads to another: More than Zeus’s lightning bolt has been stolen. More is at stake than a war between rival gods. Riddles and prophecies abound. Percy and his friends encounter an array of legendary creatures and Olympian gods, and Percy learns there is more to being a hero than he ever imagined.
Rick Riordan’s sly humor keeps the tension high in laugh-out-loud scenes. The Lightning Thief is a must-read for middle grade readers.
Gods and goddesses of ancient Greece have long been discounted as myth, right? In The Lightning Thief, these “immortals” still live, and their half-mortal offspring walk among us, pursued by monsters.
Percy Jackson is in trouble again at his new boarding school. He’s dyslexic and he suffers from ADHD, and he assumes that’s why he has the kinds of mess-ups that get him regularly expelled from schools. What Percy doesn’t realize is that he is one of the demi-gods. Monsters find him; after a narrow escape, still unaware of his identity, Percy heads home to his mother. New developments cause her to take him to Camp Half-Blood, a safe haven for demi-gods.
At Camp Half-Blood, Percy discovers his heritage, but soon finds he is the main suspect in the theft of Zeus’s lightning bolt. He has less than two weeks to track down the real thief and to prevent a war between the gods that will rival the Trojan War. Percy is also desperate to free his mother, who is being held hostage by Hades.
Percy’s friends, a demi-goddess named Annabeth, and a satyr named Grover, accompany him on his mission. One mystery leads to another: More than Zeus’s lightning bolt has been stolen. More is at stake than a war between rival gods. Riddles and prophecies abound. Percy and his friends encounter an array of legendary creatures and Olympian gods, and Percy learns there is more to being a hero than he ever imagined.
Rick Riordan’s sly humor keeps the tension high in laugh-out-loud scenes. The Lightning Thief is a must-read for middle grade readers.
Sunday, November 29, 2009
Strange Weather and Splashes of Color
The past two days there have been strange winds off and on. Dry winds, no big storm. The winds have hastened the process of falling leaves, but Midtown still looks beautiful. California is considered not to have seasons: Southern California is full of palm trees, and the most northern California is full of redwoods and pines, so they are green all year. But Sacramento has been dubbed the City of Trees, and we have a wide array.
Early on, throughout Sacramento proper, streets were lined with elms and sycamores and maples. Oh, we have some crazy-looking palm trees, looking like upended feather dusters, and a few redwoods as well. But for the most part, the plantings since the early days have been mostly deciduous: One long strip of J Street between 12th or 13th and 19th is lined with ginko trees, and they're also scattered around McKinley Park. There are sprinkles of magnolias, tulip trees, and dogwoods, redbuds, crape myrtles, and even a eucalyptus or two, not to mention the lemon, orange, and pomegranate trees planted in individual yards. Because of the citrus trees and a few pines, there are layers of green as well as the russets and golds and yellows and reds framed against the sky.
My favorite trees are the sycamores (plane trees, really) and the ginkos. It's the bark of the plane trees that captivates me. The beige and sandy yellow patches overlap patches of palest mauve, and the faintest green. The patches peel away, bit by bit, explosing new, bone white bark that will deepen in varied hues as the year progresses. It's a tree with about three pollen seasons, and a source of my allergies, but I love its beauty and forgive its effect on me. During spring and summer, the ginko trees are studded with small green fans that turn a rich buttery yellow every autumn. When the leaves finally fall, they lie in bright heaps, like so many gold coins. Combined with the red maple leaves, they make sidewalks and gutters a dazzle of color.
Our autumn is drawing to a close now. By Christmas it will be all evergreens and bare branches (beautiful in their own way, too). But for now, when I walk the dog, I'm enjoying the colors.
Early on, throughout Sacramento proper, streets were lined with elms and sycamores and maples. Oh, we have some crazy-looking palm trees, looking like upended feather dusters, and a few redwoods as well. But for the most part, the plantings since the early days have been mostly deciduous: One long strip of J Street between 12th or 13th and 19th is lined with ginko trees, and they're also scattered around McKinley Park. There are sprinkles of magnolias, tulip trees, and dogwoods, redbuds, crape myrtles, and even a eucalyptus or two, not to mention the lemon, orange, and pomegranate trees planted in individual yards. Because of the citrus trees and a few pines, there are layers of green as well as the russets and golds and yellows and reds framed against the sky.
My favorite trees are the sycamores (plane trees, really) and the ginkos. It's the bark of the plane trees that captivates me. The beige and sandy yellow patches overlap patches of palest mauve, and the faintest green. The patches peel away, bit by bit, explosing new, bone white bark that will deepen in varied hues as the year progresses. It's a tree with about three pollen seasons, and a source of my allergies, but I love its beauty and forgive its effect on me. During spring and summer, the ginko trees are studded with small green fans that turn a rich buttery yellow every autumn. When the leaves finally fall, they lie in bright heaps, like so many gold coins. Combined with the red maple leaves, they make sidewalks and gutters a dazzle of color.
Our autumn is drawing to a close now. By Christmas it will be all evergreens and bare branches (beautiful in their own way, too). But for now, when I walk the dog, I'm enjoying the colors.
Wednesday, November 25, 2009
Thanksgiving Rush and Jumble
It was a drudgery sort of week last week -- I was doing all those undone housecleaning chores to get ready for Thanksgiving, since it's at our house this year. These are chores I long put off in favor of Granny's Jig . After all, we writers are supposed to put off the mundane for the sake of our craft, right?
Then on the week-end, I had a writers group meeting and my husband and I went to the opera -- Donizetti's L'Elisir D'Amore, which was wonderfully sung and very funny. The Sacramento Opera casts just get better and better!
So I was all settled into the idea that since I had virtuously tended to business last week, I had three days straight writing time before Turkey Day. Hah! Life never is that cooperative. I did get in one morning's work on Chapter 7, and then our dog had problems, which required two trips to the vet. My car stalled in the vet's parking lot and it had to be towed to the dealer. Sigh. I think I can squeeze in a couple of hours today, and if I do, I'll be a much nicer person for the rest of the week.
Meanwhile, there is so much I want to blog about: Books I've been reading that are oh, so good. My art class, my art club, Sacramento's turning leaves (we are known as "The City of Trees", so you can imagine the color right now), but there's no time for any of that. Hopefully by the week-end, my car, our dog, all will be well.
Meanwhile, I'm so glad I got things ready for company last week, because with all the hubbub there wouldn't have been much time this week. Now, at least, I can more or less relax. That's definitely something to be thankful for at Thanksgiving!
Then on the week-end, I had a writers group meeting and my husband and I went to the opera -- Donizetti's L'Elisir D'Amore, which was wonderfully sung and very funny. The Sacramento Opera casts just get better and better!
So I was all settled into the idea that since I had virtuously tended to business last week, I had three days straight writing time before Turkey Day. Hah! Life never is that cooperative. I did get in one morning's work on Chapter 7, and then our dog had problems, which required two trips to the vet. My car stalled in the vet's parking lot and it had to be towed to the dealer. Sigh. I think I can squeeze in a couple of hours today, and if I do, I'll be a much nicer person for the rest of the week.
Meanwhile, there is so much I want to blog about: Books I've been reading that are oh, so good. My art class, my art club, Sacramento's turning leaves (we are known as "The City of Trees", so you can imagine the color right now), but there's no time for any of that. Hopefully by the week-end, my car, our dog, all will be well.
Meanwhile, I'm so glad I got things ready for company last week, because with all the hubbub there wouldn't have been much time this week. Now, at least, I can more or less relax. That's definitely something to be thankful for at Thanksgiving!
Tuesday, November 17, 2009
Great Discovery for Writers
I recently discovered the Stories for Children Magazine at http://storiesforchildrenmagazine.org/ . A monthly e-zine for children ages 3 to 12. This e-zine offers a rich opportunity for children's writers of fiction, poetry, puzzles, crafts, recipes, art work, you name it, including an educator's page for the month's published works.
In addition to accepting submissions from adult writers for children, Stories for Children accepts submissions from young writers under 17 years of age. At present, it isn't a paying magazine, but it's a great opportunity for any writer to begin or to continue building a portfolio of published work, while bringing pleasure to young readers.
If you've already published a book, you can also send them a review copy. If accepted, they will review it, pass on the review to Amazon or Barnes & Noble (if the book is available from either of those sites), post the review in the magazine, give you permission to use parts of the review in your own marketing, and donate the book to a library of the reviewer's choice.
Check this wonderful ezine out at: http://storiesforchildrenmagazine.org/ . You won't be sorry!
In addition to accepting submissions from adult writers for children, Stories for Children accepts submissions from young writers under 17 years of age. At present, it isn't a paying magazine, but it's a great opportunity for any writer to begin or to continue building a portfolio of published work, while bringing pleasure to young readers.
If you've already published a book, you can also send them a review copy. If accepted, they will review it, pass on the review to Amazon or Barnes & Noble (if the book is available from either of those sites), post the review in the magazine, give you permission to use parts of the review in your own marketing, and donate the book to a library of the reviewer's choice.
Check this wonderful ezine out at: http://storiesforchildrenmagazine.org/ . You won't be sorry!
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