A Book I Want to Recommend for Writers

If I have not been blogging recently, blame it on Martha Alderson's THE PLOT WHISPERER. This paperback book has broken me out of my writing doldrums and has helped focus and align my re-write of a book that had me stumped for awhile—a more serious book than I've written before, dealing with how a family copes with tragedy.


What is so unique about THE PLOT WHISPERER? 


For one thing, Alderson has a spiritual approach—and by that, I don't mean religious. She asks you to commit to yourself, to define your own goals, even while defining your main character's goals and commitments. She asks you to examine the deeper themes of your own life, so that you can tap into the deeper themes of your characters' lives. 


She also takes the concept of "plot" far beyond the usual focus on story trajectory (rising action, building tension, climax and resolution), tying it into what she calls "The Universal Story", the story that unfolds in each of our own lives and in nature itself. She points out that there are really three plot lines in every great book: the dramatic action plot; the character emotional development plot; and the thematic significance plot. These themes interact with one another and affect each other throughout the entire book, and each has their own resolution.


A word about Alderson's approach to character development: it goes far beyond character description, hobbies, hopes, fears, family constellation, etc. It brings a fresh slant to the question, "What does your character want, and what is keeping him/her from it?" Alderson takes all of this to a deeper dimension; What does the character bring to the point where the story unfolds? What is the history to why your character wants what he or she wants? What is the past "wound" driving the character's goals, giving them such urgency? And how does that affect your MC's reactions to events—reactions that will, in turn, affect the plot?


Alderson counsels you to know those issues about all of your characters, the main ones and the supporting cast. She suggests you must know the themes of their lives as well, their lietmotifs, because—just as in real life—when characters interact, their issues affect each other and the ensuing action. Themes, character and plot interweave and interact throughout the book.


I haven't finished THE PLOT WHISPERER, because Alderson offers thought-provoking exercises that make it a slow and careful read. But, even after reading and applying the first three chapters, disparate parts of my own book are coming together and I can visualize the whole more clearly. I wake up every morning excited to write, completely committed to finishing this draft.


If you feel stuck at any point in your own WIP, I heartily advise getting this book. It's reasonably priced, and you can get it here, and also here (among other sites.) Alderson also has a great blog with tips on plot development. And you can find her You Tube videos in a post by Jill Corcoran. (As a side note, Corcoran posts helpful information about querying and submitting, among other issues that concern writers. Hers is a blog worth visiting regularly.)  


How about you? Do you have a writing book to recommend that has worked wonders for you? If so, please post the title here. And let me know if you get Alderson's book or see her videos. 


Happy writing!

Book Review -- Dissolution

Normally I review chidren's or YA books on this blog, but during my recuperation period I've been catching up with some adult reading. What a treat, really. I love kid lit, but occasionally I miss, you know, fat paragraphs, long sentences, bigger vocabulary. So I'll be reporting on those good reads for awhile, some as reviews, and some simply as musings on what I've read.

Recently I had the pleasure of reading J. L. Campbell's fine book, Dissolution, set in contemporary Jamaica.

Sherryn and Reece (short for Maurice) have a nice home, a passionate relationship, and five children that brighten their lives. Reece owns his own business. Sherryn has her own home business baking and decorating cakes. Life is good. Then one day the doorbell rings, and Sherryn opens the door to find a scantily clad, bejeweled woman who thrusts a young boy into the room -- a boy who looks exactly like Sherryn's husband and is even named Maurice. Thus begins a painful journey for both Sherryn and Reece as they struggle with the unintended consequences of a festering and prolonged quarrel that led to Reese's sole one-night stand five years earlier.

Both Sherryn and Reese are likeable characters with a mixture of sterling virtues and all too human flaws.  Reece grew up in a ghetto, abandoned by parents, semi-raised by another tenant, and determined to make something better of his own life.  He's a good father, a devoted husband, a proud businessman.  But he can't break ties to friends in his old neighborhood, especially Ronald, who seems always in trouble.  And his early life has made him controlling, wanting to keep his wife dependent.  Sherryn has a big heart, loves her husband and family and friends.  But, when angry, she shuts down and won't communicate, resorting to the cold, silent treatment.  And she's very independent.

Gloria, the one-night stand, has been blackmailing Reece for years.  She has two other children by another blackmail victim, vindictively delivering the children to their fathers when they don't agree to her higher priced silence.  Ronald proves a complicated friend: He's the one friend Reece can talk to, but solves many of his own problems by violence and gives very poor advice.

All of the characters are beleveably portrayed, including the children.  I feel I would recognize any one of them were I to meet them in person.

As for plot, the author keeps things moving:  Stunned by her husband's infidelity, Sherryn is nonetheless filled with compassion for the little boy, Maurice Jr., who has obviously been neglected and mistreated. She can't help nurturing him, while still torturing herself about what kind of relationship exactly her husband had with Gloria.  Their children accept the situation, but even as Maurice is welcomed into the family, Sherryn cannot forgive her husband.  All of this is just for starters!  Then, when things seem to be getting better, they get worse.  Just when you think they can't get any worse -- they do.  Lots worse!  Before the books end someone is murdered.  Who is the victim?  And who did it?

You'll have to read the story.